Sangre, intriga y materialismo dialéctico: notas sobre el teatro policiaco y de contraespionaje cubano
DOI:
https://doi.org/10.3989/aeamer.2008.v65.i2.123Keywords:
Cuban Theatre, Crime Novel, Mass Culture, Ideology, SocialismAbstract
This essay intends to offer a first approach to some works that have been rarely taken into account by literary criticism: Cuban crime and contraspying theatre. These texts were mainly produced in the 70s and early 80s due to the success of the novels dealing with the same topics. They clearly show the link between literature and ideology that was the core of the an important part of Cuban cultural production of the period. Some plays are specially dealt with Ha muerto una mujer, Ernesto y Aquí del G-2 soy yo by Gerardo Fernández García and Crimen en Noche de máscaras, by Antonio Veloso y Rodolfo Pérez Valero.
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