Sangre, intriga y materialismo dialéctico: notas sobre el teatro policiaco y de contraespionaje cubano

Emilio José Gallardo Saborido

doi:10.3989/aeamer.2008.v65.i2.123

Sangre, intriga y materialismo dialéctico: notas sobre el teatro policiaco y de contraespionaje cubano

Authors

Emilio José Gallardo Saborido Escuela de Estudios Hispano-Americanos. CSIC

DOI:

https://doi.org/10.3989/aeamer.2008.v65.i2.123

Keywords:

Cuban Theatre, Crime Novel, Mass Culture, Ideology, Socialism

Abstract

This essay intends to offer a first approach to some works that have been rarely taken into account by literary criticism: Cuban crime and contraspying theatre. These texts were mainly produced in the 70s and early 80s due to the success of the novels dealing with the same topics. They clearly show the link between literature and ideology that was the core of the an important part of Cuban cultural production of the period. Some plays are specially dealt with Ha muerto una mujer, Ernesto y Aquí del G-2 soy yo by Gerardo Fernández García and Crimen en Noche de máscaras, by Antonio Veloso y Rodolfo Pérez Valero.

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Published

2008-12-30

How to Cite

Gallardo Saborido, E. J. (2008). Sangre, intriga y materialismo dialéctico: notas sobre el teatro policiaco y de contraespionaje cubano. Anuario De Estudios Americanos, 65(2), 289–309. https://doi.org/10.3989/aeamer.2008.v65.i2.123

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Issue

Vol. 65 No. 2 (2008)

Section

Articles

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